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A Quick and Dirty Analysis of Cuban Son dancers
on the YouTube clip:

http://www.youtube.com/watch?v=-ylb4FN39Cs

General
Watch it once, just getting the sense of movement of the dancer's cores i.e. the vertical line of the spine transected by the horizontal line through the shoulders.

  • stately, elegant feel
  • circular movement of partnership called 'rueda' (Spanish for 'wheel')
  • dancers stay erect with no compromise of dance height
  • low turn vocabulary
  • Son timing phrased to clave
  • close partner distancing, occassionally whole-body contact
  • partnerships rotate around a vertical central axis

Specific

  • picture arm hand-hold of the Son is different from Western contredanse position, which allows a more symmetrical elbow position
  • footwork is Son basic, which can be mistaken for a latin basic because of the natural (clockwise) partnership rotation
  • braking or checking the natural rotation happens to result in a latin basic (it is not a purposeful deployment of the latin basic)
  • floorcraft: the dancers lead and follow by feel, freeing their eyes to look at their partners and scan the floor for space
  • they navigate to take their turn dancing for the cameraman
  • all very experienced dancers: the right shoulder of the lead does not creep forward; neither does the right arm of the follower push away from the partnership axis
  • although the locations of partnership contact vary, the dance cores remain upright: no tilting or leaning due to misdirected forces or lack of balance
  • joint cascade is present and understated
  • dancers mark time as necessary as part of their floorcraft esp. when unsighted
  • lack of extreme lead movements: cues are nearly invisible and led from the body
  • other lead subtleties not visible to the untrained esp. leading through the surrender and denial of space in the partnership
  • all points addressable through our Level 2 content

Miscellaneous

  • Boogalu DVDs, available from www.boogalu.com and www.descarga.com, provide a range of instructional videos in the Cuban context
  • Santiago de Cuba in Cuba's Oriente is acknowledged as the seat of Son
  • the song 'Guantanamera' is originally a guajira, this one has Son elements hence a guajira-son which develops into a son montuno
  • band instrumentation is salon non-standard (grupo or banda) to include a violin with trumpet
  • the video is likely staged, as dancers are well above average in calibre.

Loo Yeo

 

 
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